Showing posts with label wall street journal. Show all posts
Showing posts with label wall street journal. Show all posts

Saturday, February 15, 2014

After I'm Gone by Laura Lippman-WSJ,Parade,Amazon

This is a good book, worth reading.  To get a sense of the rhythm scroll down to the the Amazon book cover and click on Look Inside.  (Hopefully you'll be able to do so.)  Read the first chapter and you'll be on your way:

Reviewed in the Wall Street Journal, WSJ, by Tom Nolan, Sat./Sun.,Feb.15-16,2014,REVIEW section, Books, Page C10:

Roberto "Sandy" Sanchez, the retired Baltimore police detective working as a cold-case consultant in Laura Lippman's irresistible "After I'm Gone" (Morrow, 334 pages, $26.99), solves crimes through dogged persistence. When he gets an inspired notion, it's not a hunch but "an equation as neat as arithmetic . . . a proof in geometry." The problem Sandy ponders here involves the 1976 flight from justice of a wanted gambler and the disappearance 10 years later of his ex-stripper mistress, whose bones are found several years after that. The plot is rich with characters—the gambler's beautiful wife and daughters, his loyal cronies—whose stories are told in John O'Hara-like detail through flashbacks that skip back and forth across decades. Pulling the truths and lies into geometric proof is the sad-eyed Sanchez, whose working motto is: "People never changed. Until they did."









In After I’m Gone, best-selling novelist Laura Lippman explores how a man’s mysterious disappearance impacts the many women in his life—and may have led to murder. :





Deliver to:
Enter a promotion code
or gift card


Try it free

Sample the beginning of this book for free
Deliver to:


Anybody can read Kindle books—even without a Kindle device—with the FREE Kindle app for smartphones and tablets.
Click to open expanded view

After I'm Gone: A Novel [Kindle Edition]

Laura Lippman 

Print List Price:$26.99
Kindle Price:$15.99
You Save:$11.00 (41%)
Sold by:HarperCollins Publishers

Whispersync for Voice

Now you can switch back and forth between reading the Kindle book and listening to the Audible audiobook. Learn more
Add the professional narration of After I'm Gone: A Novel for a reduced price of $12.99 after you buy this Kindle book.

Formats

Amazon PriceNew fromUsed from
Kindle Edition$15.99
Hardcover$16.19
ExpandPaperback$11.51
Audible Audio Edition, Unabridged$28.95or $14.95 with your Audible.com Gold membership


100 Books
100 Books to Read in a Lifetime
Looking for something good to read? Browse our picks for 100 Books to Read in a Lifetime, brought to you by the Amazon Book Editors.



Book Description

 February 11, 2014
Laura Lippman, the acclaimed New York Times bestselling author of The Most Dangerous Thing, I’d Know You Anywhere, and What the Dead Know, returns with an addictive story that explores how one man’s disappearance echoes through the lives of the wife, mistress, and daughters he left behind.
When Felix Brewer meets Bernadette “Bambi” Gottschalk at a Valentine’s Dance in 1959, he charms her with wild promises, some of which he actually keeps. Thanks to his lucrative—if not all legal—businesses, she and their three little girls live in luxury. But on the Fourth of July, 1976, Bambi’s comfortable world implodes when Felix, newly convicted and facing prison, mysteriously vanishes.
Though Bambi has no idea where her husband—or his money—might be, she suspects one woman does: his mistress, Julie. When Julie disappears ten years to the day that Felix went on the lam, everyone assumes she’s left to join her old lover—until her remains are eventually found.
Now, twenty-six years after Julie went missing, Roberto “Sandy” Sanchez, a retired Baltimore detective working cold cases for some extra cash, is investigating her murder. What he discovers is a tangled web stretching over three decades that connects five intriguing women. And at the center is the missing man Felix Brewer.
Somewhere between the secrets and lies connecting past and present, Sandy will find the truth. And when he does, no one will ever be the same.

Saturday, March 30, 2013

Photo-Op: Graven Images - Bronte Sisters


Bookshelf

 | FRIDAY, MARCH 22, 2013

Photo-Op: Graven Images

The photographer Bill Brandt had a sense not just for the landscape of Britain but the culture it gave rise to. A photographic review of "Bill Brandt: Shadow and Light."

The photographer Bill Brandt had a sense not just for the landscape of Britain but the culture it gave rise to. A photographic review of "Bill Brandt: Shadow and Light."

Jon L. Stryker/Bill Brandt Archive Ltd.
London is filthy with plaques noting where some poet or novelist once lived. But what do we learn of 'Oliver Twist' or 'Nicholas Nickleby' from the house in which Dickens wrote them (48 Doughty Street)? In one of her first forays into journalism, Virginia Woolf pondered 'Great Men's Houses,' visiting the house (24 Cheyne Row) where Thomas and Jane Carlyle lived and concluding that it was a 'battlefield where daily, summer and winter, mistress and maid fought against dirt and cold for cleanliness and warmth.' The place told a great deal about a tense marriage but not much about literature. When photographer Bill Brandt began pondering 'Literary Britain' in the 1940s, it was the landscapes from which writers sprang that he sought. Brandt depicted Robert Louis Stevenson through the fog-bound turrets of Edinburgh Castle and George Crabbe via a lonely fisherman on Aldeburgh Beach. The churchyard at Haworth (above), where the Rev. Patrick Brontë was vicar, stands in for his death-haunted daughters. The dark, uneven memorials evoke a dank, harsh place where Jane Eyre and Lowood School, the Grange and Wuthering Heights, and the gossip-encouraging seclusion of Wildfell Hall were born. Brandt is celebrated in 'Shadow and Light' (Museum of Modern Art, 208 pages, $50), whose selections of works from books like 'The English at Home' (1936), 'A Night in London' (1938) and 'Camera in London' (1948) show his deep sense of the country. What might surprise is that Brandt was only half-English—born and raised in Hamburg, Germany. His art was a way to assert his preferred nationality. The book 'Literary Britain' (1951) showed that the nation's landscape fed more than the people; it fed an imagination. No one sees a place so clearly as the immigrant.
—The Editors
A version of this article appeared March 23, 2013, on page C8 in the U.S. edition of The Wall Street Journal, with the headline: Photo-Op: Graven Images.
Copyright 2013 Dow Jones & Company, Inc. All Rights Reserved