Showing posts with label veterans. Show all posts
Showing posts with label veterans. Show all posts

Sunday, November 10, 2013

Filling In Picture Of Uncle's WWII Story-WOW! Great Story for Veteran's Day, or Any Day

Philadelphia Inquirer, Sunday, November 10, 2013, Local section, Page B1:



Over years, nephew fills in blanks of uncle's WWII story

Joe and Eileen Garrity in August in the Netherlands with Jane van Haaren, holding a photo of his uncle, Pvt. Joseph Garrity. She knew him for just a few days but still felt connected to him long after.
Joe and Eileen Garrity in August in the Netherlands with Jane van Haaren, holding a photo of his uncle, Pvt. Joseph Garrity. She knew him for just a few days but still felt connected to him long after.
Joe and Eileen Garrity in August in the Netherlands with Jane van Haaren, holding a photo of his uncle, Pvt. Joseph Garrity. She knew him for just a few days but still felt connected to him long after.GALLERY: Over years, nephew fills in blanks of uncle's WWII story



QUAKERTOWN For years, Pvt. Joseph Garrity's death in World War II was a subject too painful for many in his family to broach.
He had been the smiling young man in the family photo whose personal effects were hidden away in an attic - as if to keep the grief at arm's length.
But a nephew, Joe Garrity, wanted to know more about the man he was named after.
So the younger Garrity, a commercial real estate portfolio manager from Quakertown, began to research his uncle's life. Over 15 years, he pieced together a picture of the paratrooper's service with the famed 101st Airborne Division.
Pvt. Garrity, he learned, had been considered a hero by the Dutch town he helped liberate. He also made a lasting impression on a young woman there who never forgot him.
Joe Garrity remembered his grandparents describing her as his uncle's girlfriend.
"He was only on the ground for six days," said Garrity, 59. "What kind of relationship could they have had?"
This August, the final pieces of the mystery started to fall into place - thanks to a cache of letters that had been packed away for decades after arriving at a South Philadelphia home, an overseas trip, and an unexpected meeting with an elderly woman in a Dutch town.

Joining up


Pvt. Garrity was 21 when he joined the Army in 1942. The youngest of seven children raised in a South Philadelphia rowhouse, he served in the 102d Infantry Division before transferring to the 501st Regiment of the 101st Airborne Division.
He changed assignments for the extra "50 bucks a month" he would be paid as a paratrooper, his nephew said.
During training at Fort Benning, Ga., Pvt. Garrity bumped into Edward "Babe" Heffron, who recognized him from dance parties in a Philadelphia neighborhood.
"He was a nice fellow," recalled Heffron, now 90, whose heroism was portrayed in the HBO miniseries Band of Brothers. "He gave everything he had."
On Sept. 17, 1944, Pvt. Garrity's regiment had parachuted into the Netherlands, landing near a town called Veghel. The Allied forces were greeted joyfully as heroes freeing the residents from German occupation.
The regiment was dispatched as part of Operation Market Garden, a mission to enter Germany from the Netherlands by capturing the Arnhem Road bridge and crossing over the Rhine River.
U.S. and British troops ultimately aimed to capture Berlin and "knock out the seat of Nazi power," said historian Mark Bando, who has written eight books on World War II.
After landing, Pvt. Garrity and another serviceman knocked on the door of a local house.
There, the American soldier met 18-year-old Jane van Haaren and her family. Over the next week, he became a regular visitor.
"Joseph came to us every day," van Haaren would later write in a letter to his parents.
He strung and repaired communication wires on the roof used for radio communication among the troops. He sang songs and ate dinner with the family several times.
One day, Pvt. Garrity warned the van Haarens that German forces were approaching. For days, they hid in their cellar.
As they did, Jane van Haaren took a piece of a parachute that several soldiers had autographed for her and outlined their signatures with embroidery.
The immediate danger ended, but so did the daily visits from the American paratrooper. After three days, a friend stopped by the family's house with tragic news:
Pvt. Garrity had been killed when a piece of shrapnel pierced his helmet. He died in the arms of a chaplain.
Ultimately, thousands of other soldiers lost their lives in that unsuccessful mission to capture the Arnhem Road bridge. It was later dramatized in the 1977 movie A Bridge Too Far.
As the news of the private's death made it back to South Philadelphia, a niece, Joan Conwell, watched her mother stagger out of the family's home.
"She was running and falling at the same time, hobbling in grief," recalled Conwell, 79, of Wayne, who was in fourth grade at the time. "I didn't know what it was, but they had gotten the telegram."
Pvt. Garrity was buried in the Netherlands American Cemetery in Margraten.

'I promise you'

Joe Garrity and his wife made plans to visit the cemetery this summer on a trip to Europe. At that point, he still knew only pieces of the story - and he still didn't know the name of the young woman who had befriended his uncle.
Then, days before their trip, Garrity heard from Conwell, his cousin. She told him she had found an old metal suitcase that had been in the family for decades.
Inside were letters van Haaren had written nearly 70 years ago to the parents of Pvt. Garrity. In one, she told them: "I promise you to take care of his grave."
In August, Garrity and his wife visited the grave. And, with the help of local residents, they found his uncle's girlfriend.
Van Haaren never married. A retired social worker, she lives in a one-bedroom apartment in the town of Tilburg. She is 91.

'Chills'

"When we asked about her relationship with my uncle," Garrity said, "she put her finger to her lips and said: 'The past is the past.' "
Then, he said, van Haaren pulled out the parachute cloth that she had embroidered 69 years ago while hiding with her family in the basement.
Joe Garrity spotted his uncle's name.
"I felt chills. It was pretty emotional," Garrity said, fighting back tears. "You spend 15 years doing research and then to hold something he actually held.. . ."
Garrity and his wife also met the Dutch couple who now care for Pvt. Garrity's grave as part of a volunteer group.
They stopped by the house where van Haaren lived during the war and visited the Windmill monument in the town of Eerde on which Pvt. Garrity's name is inscribed along with other soldiers who died during the mission.
The visit, especially his time with van Haaren, gave Garrity a measure of comfort.
"In his final days, even in war, Uncle Joe met someone and developed a friendship," Garrity said. "It wasn't all foxhole and getting shot. He had some time to live."


kholmes@phillynews.com

Read more at http://www.philly.com/philly/news/local/20131110_Over_years__nephew_fills_in_blanks_of_uncle_s_WWII_story.html#AxXXDr2IG68GZSs3.99

Friday, November 1, 2013

Joe Bonham Project Highlights Human Cost of War


Philadelphia Inquirer, Friday, November 1, 2013, Front Page:



Drexel University's Joe Bonham project highlights human cost of war

Drexel University opens The Joe Bonham Project, a collection of 40 drawings and paintings of severely wounded veterans of the Iraq and Afghan wars, as part of a new class on images of war and how people absorb and make sense of those pictures and videos. Here, Mike Fay, the former Marine who created the project, talks about the work with Karen Curry, who is teaching the class on war images at Drexel. ( Ed Hille / Staff Photographer)
Drexel University opens The Joe Bonham Project, a collection of 40 drawings and paintings of severely wounded veterans of the Iraq and Afghan wars, as part of a new class on images of war and how people absorb and make sense of those pictures and videos. Here, Mike Fay, the former Marine who created the project, talks about the work with Karen Curry, who is teaching the class on war images at Drexel. ( Ed Hille / Staff Photographer)
Drexel University opens The Joe Bonham Project, a collection of 40 drawings and paintings of severely wounded veterans of the Iraq and Afghan wars, as part of a new class on images of war and how people absorb and make sense of those pictures and videos. Here, Mike Fay, the former Marine who created the project, talks about the work with Karen Curry, who is teaching the class on war images at Drexel. ( Ed Hille / Staff Photographer)GALLERY: Drexel University's Joe Bonham project highlights human cost of war

People need to look past the men's missing limbs, Marine Corps artist Michael Fay said, to see the resilience in their faces. Even if those faces are scarred and misshapen.
One portrait shows Sgt. David Adams, a young Marine from Wisconsin, using his remaining arm to hold an X-ray of his broken back. Cpl. Zachary Stinson has lost both legs. The face of Lance Cpl. Kyle Carpenter, who was wounded by a hand grenade, looks like cracked porcelain.
Those and dozens more paintings and sketches make up the Joe Bonham Project, created by Fay and showing at Drexel University as part of a new course on how war is portrayed in the media. Many of the recovering Iraq and Afghanistan veterans were drawn in stateside hospitals within weeks of being shot or blown up.
"We're saying, 'Here they are. They're still in the fight,' " Fay said. "They're in a whole different place that people need to know about and hear about."
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  • The project is named for a man who never existed. Or rather, who existed only as a fictional character, the lead of Dalton Trumbo's 1938 novel, Johnny Got His Gun.
    Bonham, fighting on the front in World War I, miraculously survives being blown up by an artillery shell. Waking in a hospital, he slowly realizes he has lost his arms, legs, eyes, ears, and mouth. He cannot speak, hear, or see.
    Using his head to tap out Morse code, Bonham tells the hospital officials he wants to be placed in a glass box and sent on tour to show people the true cost of war. The generals refuse, knowing it would be difficult to recruit young men if Bonham were seen.
    "Basically, what we're doing, we're bringing Joe Bonham back out," Fay said.
    Unlike Trumbo's pointedly antiwar book, Fay says this project is apolitical, aiming to honor the men who fought for their country and support them as they heal. And to show people - if they want to truly see - the reality of war.
    "We don't want to face the actual aftermath and results of war," said Karen Curry, who teaches the Drexel course Imaging War. "It's messy. It's forever. It's something that people have averted their eyes from."
    Curry teaches in Drexel's Westphal College of Media Arts and Design, where she directs the Kal and Lucille Rudman Institute for Entertainment Industry Studies. Her course centers on guest speakers, and though 30 students enrolled, attendance at events has averaged 70.
    War images always have been recorded and interpreted, from prehistoric cave paintings to Civil War daguerreotypes and movies like Full Metal Jacket. Today, after initial nonstop reporting, news coverage of Iraq and Afghanistan has receded.
    Part of the reason is time. The war in Iraq lasted eight years; the war in Afghanistan is still going on after 12. The front line is far away, and the war is fought by volunteers - no draft threatens to sweep sons into danger.
    Further explanation lies in the diminished financial status of many news organizations. Struggling newspapers and television stations can't afford to send correspondents for the duration, as was routine in World War II and the Vietnam War.
    "There isn't very much coverage at all," said Curry, 64, a former London bureau chief for NBC News. "It's kind of almost an invisible war."
    But in a free society, it's crucial for people to know what's occurring in their name - and potentially to their families - through the decisions of the people they elect, she said. That's why her class is studying the Joe Bonham Project.
    "I remember landing on my stomach right after the explosion," a soldier says in text that accompanies the exhibit. "Concerned, I started looking around to see who stepped on it, but then the pain kicked in - and I realized it was me."
    Fay, 60, served in the Marine Corps as a mortarman from 1975 to 1978, reenlisted from 1983 to 1993, and from 2000 to 2010 was a Corps artist in uniform, serving multiple tours in Afghanistan and Iraq.
    In early 2011, he and a group of American, Canadian, and Australian artists, including the celebrated illustrator Victor Juhasz, began drawing members of what they called a new generation of wounded vets.
    "You see a lot of direct gazes," Fay said. "These guys are looking right at you."
    None of the soldiers want sympathy, he said. They all want their stories faithfully depicted - and heard by the world outside the hospital and the military. All volunteered to be drawn, to show, as the project subtitle states, "We are not our wounds."
    "We want to get these faces, get these stories, into the culture," Fay said. "These guys have given their blood and treasure. We hope it's not forgotten."


    jgammage@phillynews.com

    Read more at http://www.philly.com/philly/education/20131101_Drexel_project_highlights_human_cost_of_war.html#01K8t5AtyRBoHwVh.99

    Wednesday, September 25, 2013

    Historic Abandoned Cemetery Reveals Medal Of Honor Winners

    Philadelphia Inquirer, Wednesday, September 25, 2013, Local News, Page B1:



    Historic cemetery reveals Medal of Honor winners

    Samuel Ricks, a volunteer with friends of Mt. Moriah, walks through the Naval Asylum plot at Mt. Moriah Cemetery. September 19, 2013 ( RON TARVER / Staff Photographer )
    Samuel Ricks, a volunteer with friends of Mt. Moriah, walks through the Naval Asylum plot at Mt. Moriah Cemetery. September 19, 2013 ( RON TARVER / Staff Photographer )
    Samuel Ricks, a volunteer with friends of Mt. Moriah, walks through the Naval Asylum plot at Mt. Moriah Cemetery. September 19, 2013 ( RON TARVER / Staff Photographer )GALLERY: Historic cemetery reveals Medal of Honor winners

    Outside the city on a broad hillside, thick with green underbrush and shaded by poplar trees, Sam Ricks hacks through tangled knots of weeds with his machete - leaving no stone unexamined in his quest to identify the dead.
    Ricks is leading an effort to locate Medal of Honor winners and hundreds of other long-forgotten Navy and Marine veterans buried in Mount Moriah Cemetery, the historic, abandoned graveyard that straddles Philadelphia and Yeadon.
    Its 21 medal honorees may be the most buried in any cemetery in the country, according to a military expert.
    "After it was first abandoned, I drove through and it looked like the opening scene of Bridge on the River Kwai - a jungle overgrown with weeds," said Ricks, a volunteer with the Friends of Mount Moriah Cemetery.
    In less than two years, Ricks has found and identified four Medal of Honor recipients and seven African American veterans from the Civil and Spanish American Wars in the graveyard's Naval Asylum Plot.
    The plot is one of two military grave sites overseen by the Department of Veterans Affairs in the cemetery. Though the VA maintains the grave sites, volunteers clear overgrown pathways so visitors can get to the military plots.
    Ricks bent over to point out what at first glance appeared to be an ordinary flat, gray marker in the grass, backed by a white marble headstone with the word Unknown.
    Thanks to volunteers' efforts, the grave's occupant is now known: Commodore Jesse Duncan Elliott, a hero of the War of 1812 and Medal of Honor winner for his bravery in the Battle of the Great Lakes, 200 years ago this month.
    "The VA said he was here but didn't know where," explained Ricks, who discovered through research that Elliott's grave had been marked with a plain flat stone, then in 1900 by six surrounding stanchions.
    "The only one around here is this," he said, relishing arguably the most famous of the roughly 130 veterans whose burial markers the project has identified within the Naval Asylum Plot. He does not rest on those achievements, since the best records suggest that about 2,300 Navy and Marine vets - from the American Revolution through Vietnam - are buried in the area.
    Don Morfe, a researcher with the Medal of Honor Historical Society, said the 21 known recipients are probably the most for any cemetery, and he suspects Ricks will eventually turn up more. Now he is trying to get the VA to erect Medal of Honor markers for the four honorees that Ricks has found, "but so far they haven't made any move," he said.
    There are a number of cemeteries across the state with similar stories to Mount Moriah - largely forgotten and in some cases officially abandoned, overrun by weeds and havens for vandalism, illegal dumping, crime, even packs of wild dogs.
    But officials say Mount Moriah is unique. Once the largest graveyard in Pennsylvania, with 380 acres behind a grand Romanesque entrance, it was also the final resting place for Betsy Ross and her third husband before they were moved to a courtyard at the Betsy Ross House in 1976.
    After the cemetery was abandoned in 2011 by the widow of the last known member of its governing association - a man who had died seven years earlier - local activists formed to organize volunteer cleanups, seek restoration funding, and call attention to the rich history of the burial ground.
    The effort was a natural for Ricks, 59, who lives in Philadelphia and is retired from the trucking industry. When his late twin brother learned that an ancestor had served in the Confederate army, Ricks not only joined the local Sons of Confederate Veterans but became a tombstone detective, helping find about 250 veterans of the Lost Cause in Philadelphia cemeteries.
    Shortly after he joined the Mount Moriah committee, Ricks was contacted by a historian from Eden Cemetery in Collingdale who was looking for a relative of James Forten Dunbar, believed to have been the longest serving African American in naval history, enlisting in 1811 and serving through the Civil War.
    Ricks was able to find Dunbar's marker - the name had almost completely faded - but he was also surprised to learn the extent to which naval burial records were inaccurate or incomplete, and that time had nearly worn many of the headstones almost beyond recognition.
    "These stones are going blank right before our eyes," said Ricks, standing next to Dunbar's grave marker. "We can't let them go to Davy Jones' locker, as they say at sea."
    "It's like a giant jigsaw puzzle with 2,300 pieces," he explained. "If you find one and it matches the plot and row and grave, you can count back from there."
    A walk through the tract with the amateur historian is rich with snapshots of U.S. naval history.
    He stops at the final resting place of William Henry Scholls, who joined the Confederate army as a 13-year-old drummer boy in 1861 and lived long enough to volunteer for naval duty during World War I, dying in a Philadelphia veterans' hospital in 1931. "This is a rare grave - one we can prove with Confederate records," he said.
    A small, barely readable marker shows where Thomas Johnson, a seaman who fought with the legendary John Paul Jones - "I have not yet begun to fight" - on the Bonhomme Richard against the British in 1779, was laid to rest. "Johnson was the first Revolutionary War sailor that we found," Ricks noted.
    The Friends of Mount Moriah is organizing events, such as a Restoration Day this Saturday that will include cleanup volunteers from Villanova University, and is working to identify more African American sailors. Ricks' words show a determination to leave no man unmarked.
    "The last mile," he said of his searches, "is always the hardest."
    kboccella@phillynews.com 610-313-8232 @kathyboccella

    Read more at http://www.philly.com/philly/news/20130925_Historic_cemetery_reveals_Medal_of_Honor_winners.html#b1M6qXgDqkeUQDCX.99