Showing posts with label cbs sunday morning. Show all posts
Showing posts with label cbs sunday morning. Show all posts

Monday, November 17, 2014

It Takes A Village To Help Elderly Remain Independent




Philadelphia Inquirer, Friday, November 14, 2014


It can take a village to help remain independent

By Neville E. Strumpf






























The statistics are startling:
Soon, 25 percent of the U.S. population will be over 65, and 70 percent of us will need care of some kind either in our homes or in an institution.
These statistics, which were aired during a segment on the realities of aging on CBS Sunday Morning last month, should serve as a wake-up call to all of us. Putting our heads in the sand and hoping for the best are not viable strategies. Fortunately, those of us who live in and love the opportunities in Philadelphia have options.
The Sunday Morning feature put the spotlight on Beacon Hill Village in Boston, the first in what is now a national movement to help elderly people stay in their own homes but provide access to assistance as needed. The "village" movement began in 2001, with the group in Boston, but now boasts more than 140 villages across the country, with 100 more under development.
Philadelphia currently has three such villages. The largest and oldest of them is Penn's Village, where I serve on the advisory council. It offers neighbor-to-neighbor volunteer services in an area that stretches from Washington to Girard Avenue, and from river to river.
Other villages that have been established in the area include the East Falls and Mutual Mount Airy communities in Philadelphia, and the Brandywine Village Network in Delaware.
Time and again, the village network proves itself a boon to members who find it difficult to get around as easily as they once did. Hundreds of men and women in our neighborhoods already embrace Penn's Village in a variety of capacities - whether receiving services or acting as volunteers or serving on committees.
What do villages do? Primarily, they open the doors to a number of opportunities to invest in your neighborhood. Nearly everyone can benefit in some capacity.
At Penn's Village, members - we call them villagers - receive services such as transportation to medical appointments or grocery shopping, training on mobile phones or tablets, and carefully vetted lists of local service providers. If you need a ceiling light bulb changed, a volunteer will climb a ladder to do that for you. Or he'll put together that lamp you ordered through the mail. Members pay annual dues, and the volunteer-provided services are free.
In many ways, these villages are ageless. Men and women within the community frequently find they play changing roles. Many of our members have served as volunteers at some point but then later found that they could use the same kind of help they once provided.
There is a power to these grassroots organizations that tailor their services to local needs. They help all of us make a reality of the dream to stay in our own homes, and as independent as possible, as we age.
We are lucky to have a variety of such organizations in our area. I encourage adults of all ages to learn more about the services offered to them, or to loved ones, without delay. Help, and peace of mind, are available.

Neville E. Strumpf is a retired professor at the University of Pennsylvania School of Nursing, past director of the gerontology nurse practitioner program, and founding director of the gerontology research center. strumpf@nursing.upenn.edu

Saturday, May 3, 2014

Will You Experience a Good Death? CBS Sunday Morning

CBS Sunday Morning, Sunday, April 27,2014, "THAT'S LIFE":



Experiencing a good death

Is a hospital room full of machines and tubes really the best place to spend our final days before we rest in peace? Perhaps not. Here's Susan Spencer of "48 Hours":
At age 78 John Hawkins, a New York psychotherapist, and once an avid gardener, was near death from lung disease -- and, seemingly, at peace.
"Each time I would come into the apartment, I would give John a hug, and a kiss, you know, and welcome him, and not shy away from the physical state that he was in," said photographer Joshua Bright.
Hawkins let Bright take pictures of his last days on Earth, at home in hospice care.
good-death-joshua-bright.jpg
John Hawkins, photographed by Joshua Bright, as he underwent hospice care.
 COURTESY JOSHUA BRIGHT
Bright was hoping for insight into one big question -- what is a "good death"? -- but admits being there to see it wasn't easy.
"Being around just a human being that's dying was tough," he said. "And there's part of me that wanted to recoil."
Robert Chodo Campbell was John Hawkins' dear friend of 25 years. He said his initial reaction to Bright photographing his friend's last days was "great."
"I knew that John would love it," Campbell said. "John was in his earlier life a theater major, so he was always onstage, as it were. I knew they would love it, I knew they would get along. From the moment they met each other, it was almost like a love story."
The chemistry may have been helped by the setting -- not an impersonal hospital, but John's home, where he felt most comfortable.
"If you can have a quiet death, or a death with your loved ones around you, then it can really be peaceful and beautiful and meaningful," said Bishop.
A "good death" may sound like a contradiction of terms, but the vast majority of Americans (70 percent in one poll) do agree that if they are going to die, they would like to die at home.
Yet, only one in four actually does.
"People want to die with their families around them," said Dr. Jessica Zitter, an ICU doctor at Highland Hospital in Oakland, Calif. "And I think sometimes it's hard to do that in an intensive care unit."
Dr. Zitter sees it firsthand: "There's always something physiologically that we can tweak with our ventilators, with our dialysis machines, with our blood pressure support medications. We can always keep doing things. And so we focus on doing those things to improve that physiology."
"And not on the whole person?" said Spencer.
"Right. We're not trained to think that way."
Dr. Peter Bach, at the Memorial Sloan Kettering Cancer Center in New York City, agrees doctors sometimes overtreat in hopeless cases. "As a physician, it is the most wrenching experience to have done what you could do for a person, become close with their family, and have it not work out," he said.
But doctors, he points out, aren't clairvoyant.
"People are not walking around with a sign on their forehead saying, 'In three months I'm going to be dead,'" said Dr. Bach. "They're walking around with medical charts saying, 'I have a serious problem.' Our job is to look at that and say, 'Is there something I can do which would change that?'"
Also part of the job, Dr. Zitter believes, is being candid with patients -- giving them the information they need to make the hard decisions.
"We all need to do better," she said. "I could tell you story after story of things that I have done that I have not been proud of. Not talking to a family clearly, not wanting to be the bearer of bad news. There are many times I can tell you, that I have done that and I regret it."
For John Hawkins, there seemed to be no regrets.
The last time he was hospitalized, recalled Campbell, "He had gone into a nursing rehab for about eight weeks. And he said, 'I can't keep doing this.'"
Hawkins decided to forego treatment -- but he did not stop living.
"We got him to start writing his memoir," Campbell said. "We were able to fill his room with flowers. There was classical music playing 24/7. He had his cats."
Hardly the first time Robert Chodo Campbell has comforted a terminal patient. A Buddhist monk, he co-founded the New York Zen Center for Contemplative Care, working with hospitals to teach medical professionals how to deal with the dying.
"I don't aspire to or subscribe to heaven and hell and God," said Campbell. "But I can tell you, at the moment of a person's passing, something very mysterious happens. Something leaves that room. And I know, each time, that there's something much greater than me occurring in this room. Much greater than the two of us."
Campbell was there when his dear friend John Hawkins died on January 9, 2013 -- a year-and-a-half since Hawkins first met Joshua Bright. Bright's photo series in The New York Times was called, simply, "A Good Death."
Hawkins' story, said Bishop, "is, in a sense, the story of any person. Unfortunately, a lot of people do experience much more difficult and more tragic deaths."
Campbell recalled, "I remember having almost my final conversation with him a couple of days before he died, saying, 'John, I think you're very close.' And he said, 'Yeah, I am.'
" I think he had a good death."

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Monday, January 6, 2014

Katy Perry ROAR vs. BRAVE by Sara Bareilles=INSPIRING!

These songs have inspired MANY, including scores of hospital and cancer patients.



Learn to sing "Brave" like Sara Bareilles
New! Write an annotation
Highlight a line or word in the lyrics and click "Annotate". Learn more!
You can be amazing
You can turn a phrase into a weapon or a drug
You can be the outcast
Or be the backlash of somebody’s lack of love
Or you can start speaking up
Nothing’s gonna hurt you the way that words do
And they settle ‘neath your skin
Kept on the inside and no sunlight
Sometimes a shadow wins
But I wonder what would happen if you


Say what you wanna say
And let the words fall out
Honestly I wanna see you be brave

With what you want to say
And let the words fall out
Honestly I wanna see you be brave

I just wanna see you
I just wanna see you
I just wanna see you
I wanna see you be brave

I just wanna see you
I just wanna see you
I just wanna see you
I wanna see you be brave

Everybody’s been there, everybody’s been stared down
By the enemy
Fallen for the fear and done some disappearing
Bow down to the mighty
Don’t run, stop holding your tongue
Maybe there’s a way out of the cage where you live
Maybe one of these days you can let the light in
Show me how big your brave is

Say what you wanna say
And let the words fall out
Honestly I wanna see you be brave

With what you want to say
And let the words fall out
Honestly I wanna see you be brave

Innocence, your history of silence
Won’t do you any good
Did you think it would?
Let your words be anything but empty
Why don’t you tell them the truth?

Say what you wanna say
And let the words fall out
Honestly I wanna see you be brave

With what you want to say
And let the words fall out
Honestly I wanna see you be brave

I just wanna see you
I just wanna see you
I just wanna see you
I wanna see you be brave

I just wanna see you
I just wanna see you
I just wanna see you
I wanna see you be brave

I just wanna see you
I just wanna see you
I just wanna see you
I wanna see you be brave

I just wanna see you
I just wanna see you
I just wanna see you.


Learn to sing "Roar" like Katy Perry
New! Write an annotation
Highlight a line or word in the lyrics and click "Annotate". Learn more!
I used to bite my tongue and hold my breath
Scared to rock the boat and make a mess
So I sit quietly, agreed politely
I guess that I forgot I had a choice
I let you push me past the breaking point
I stood for nothing, so I fell for everything

You held me down, but I got up
Already brushing off the dust

You hear my voice, your hear that sound
Like thunder, gonna shake the ground

You held me down, but I got up
Get ready cause I’ve had enough

I see it all, I see it now

Chorus
:
I got the eye of the tiger, a fighter, dancing through the fire
Cause I am a champion and you’re gonna hear me roar
Louder, louder than a lion
Cause I am a champion and you’re gonna hear me roar
Oh oh oh oh oh oh
Oh oh oh oh oh oh
Oh oh oh oh oh oh
You’re gonna hear me roar

Now I’m floatin like a butterfly
Stinging like a bee I earned my stripes
I went from zero, to my own hero

You
 held me down, but I got up
Already brushing off the dust
You hear my voice, your hear that sound
Like thunder, gonna shake the ground
You held me down, but I got up

Get ready ’cause I’ve had enough
I see it all, I see it now

Chorus:
I got the eye of the tiger, a fighter, dancing through the fire
Cause I am a champion and you’re gonna hear me roar
Louder, louder than a lion
Cause I am a champion and you’re gonna hear me roar
Oh oh oh oh oh oh
Oh oh oh oh oh oh
Oh oh oh oh oh oh
You’re gonna hear me roar
Oh oh oh oh oh oh
Oh oh oh oh oh oh
Oh oh oh oh oh oh
You’re gonna hear me roar
Roar-or, roar-or, roar-or

I got the eye of the tiger, a fighter, dancing through the fire
Cause I am a champion and you’re gonna hear me roar
Louder, louder than a lion
Cause I am a champion and you’re gonna hear me roar
Oh oh oh oh oh oh
Oh oh oh oh oh oh
Oh oh oh oh oh oh
You’re gonna hear me roar
Oh oh oh oh oh oh
Oh oh oh oh oh oh
Oh oh oh oh oh oh
You’re gonna hear me roar


Perez Hilton:


Katy Perry Jacked Roar From Brave, Admits Sara Bareilles! Find Out Why She's Not Hatin' HERE!

 | Filed under: Music Minute • Katy Perry • Sara Bareilles • GIFs
sara bareilles brave katy perry roar gif
Is KatyKat a copycat?!
According to Sara Bareilles, yes—but the singer doesn't give a crap!
In a new interview with CBS Sunday Morning, Sara is finally acknowledging what fans have been saying all along…
Katy Perry's Roar sounds a whole lot like her song, Brave!
Miz Bareilles candidly confessed the musical similarities, but realizes there's a bright side to every situation:
"I mean, I can't say that I think that they don't sound similar. I've known Katy a really long time and we're friends. And at the end of the day, it was really only good for my song. So, thank you, Katy Perry for that!"
We love that the talented songstress is looking at the bigger picture instead of feeding into the controversy!
The two songs were HUGE hits, so we're thrilled for both ladies!
Sara BareillesSara BareillesSara BareillesSara BareillesSara Bareilles
- See more at: http://perezhilton.com/2014-01-06-sara-bareilles-katy-perry-brave-roar-copy-song-

controversy#sthash.CJjJbKeh.dpuf




Sara Bareilles: The sweet author of tough songs

Singer-songwriter Sara Bareilles is nominated for two Grammy Awards this year, including Album of the Year for "The Blessed Unrest," and Best Pop Solo Performance for her song, "Brave."
Singer-songwriter Sara Bareilles is nominated for two Grammy Awards this year, including Album of the Year for "The Blessed Unrest," and Best Pop Solo Performance for her song, "Brave."  NOEL VASQUEZ, GETTY IMAGES
The lyrics Sara Bareilles sings, such as on her Grammy-nominated song "Brave," never hold anything back, and they've won her a devoted following. With Ben Tracy, we "Take Note":
Her music and her voice sound so sweet . . .  
"So let me thank you for your time,
Try not to waste any more of mine,
Get out of here fast …"
But in many of her songs, what Sara Bareillis is actually doing is not-so-sweetly telling someone off.
"Who died and made you king of anything?"
"I might not say it to your face, but I'm sure as hell gonna put it in a song!" she laughed. 
"I think some people will find that surprising because you seem so nice," said Tracy.
"I swear like a sailor. I find great joy in being a little bit sassy and crass, and -- I don't know, going against the grain a little bit. I find a lot of joy in that."
Bareilles' 2007 debut single "Love Song" was the singer-songwriter's response to her record label. It was pressuring her to write radio-friendly hits.
"I'm trying to let you hear me as I am!
 I'm not going to write you a love song
 Because you asked for it,
because you need one, you see."
It was, Bareilles said, "kind of a nasty song, but it was very tongue-in-cheek, which is so me to, like, be nasty in a passive-aggressive way!"
The irony was that, after writing what was basically a kiss-off to record executives, Bareilles got the phone call: "'We love it! We're on board!' Are you crazy? Who's playing this joke on me?"
"Love Song" was no joke. It was the #1 song of 2008 on Billboard's adult contemporary chart -- and it earned Bareilles a Grammy nomination for Song of the Year.
She's now back in the hunt for Grammy gold with her new album, "The Blessed Unrest." It snagged a coveted nomination for Album of the Year.
That surprised many in the industry -- including Bareilles.

 
She described her reaction as "kid-at-Christmas excited."
"I was trying to text my family and my hands were shaking," she told Tracy. "It was just this moment of sheer joy.
"It made me look back at the record itself, which was such a labor of love and a lot of pain as well. It was a really hard record to make. And it was the product of a tough year in my life."
Bareilles ended a long-term relationship with her boyfriend, parted ways with her band of 10 years, and moved from Los Angeles to New York.
"I didn't feel like I was on fire in any aspect of just who I am and who I want to feel like I am in my soul," she said.
"Not to go all therapist on you, but did you figure out what was missing?" Tracy asked.
"Oh, no. I'm a mess still," she laughed.
Her uncertainty about herself may seem at odds with her latest hit, "Brave":
"I wonder what would happen
if you say what you want to say
and let the words fall out, honestly.
I want to see you be brave!"
She says "Brave" was inspired by seeing a gay friend struggle with coming out. But when nurses and cancer patients at a Minnesota hospital posted this video online, "Brave" became an all-purpose face-your-fears anthem.
"It just felt like I was watching the song take flight and take on a life of its own," Bareilles said. "It was becoming something bigger than it had even been intended to be. And that's always -- oh my gosh, what an amazing hope for something you create."
It also created a bit of controversy. Three months later, Katy Perry released her hit, "Roar." She was accused of copying Bareilles' song.
"I mean, I can't say that I think that they don't sound similar," Bareilles said. "I've known Katy a really long time and we're friends. And at the end of the day, it was really only good for my song. So, thank you, Katy Perry for that!"
Armed with morning coffee, Bareilles took Tracy to one of her favorite spots, the canals of Venice, in Los Angeles. She lived near here for six years, and Venice is where she's written much of her music.
"It's just so charming, so different," she said. "You wouldn't expect this was in the middle of L.A."
Bareilles grew up in the northern California city of Eureka. Her mom worked in a funeral home; her dad was an insurance adjuster. Bareilles taught herself to play piano.
Sara_Bareilles_Little_Shop_of_Horrors_244.jpg
 CBS NEWS
She sang at Dodger Stadium when she was 14 years old, and played Audrey in a high school production of "Little Shop of Horrors" (left).
She admits to being addicted to musical theatre.
"It was like 'Phantom of the Opera' sweatshirt, hair in braids and singing at the top of my lungs," she said. 
"That's a good look," said Tracy.
"Add some pink jeans and like a weird hat!" Bareilles said. "I know! I've always been sort of a fashion icon."
During college at UCLA, she played small shows all over Los Angeles. She was a regular at a Chinese restaurant called Genghis Cohen. It's where Bareilles started growing her fan base.
The smallest crowd she ever got for a performance there?  Seven. She said she knew all of them.
But then she met some guys in a band named Kara's Flowers. They eventually called themselves Maroon 5. Front man Adam Levine took Sara Bareilles out on tour.
Maroon 5's Adam Levine speaks ("Sunday Morning")
"Those boys changed the trajectory of my life in a big way, and yeah, I'm forever grateful," she said.
Most of Bareilles' songs are deeply personal. She says she needs to write her own music in order to feel like she is being honest. 
"Most of the time I find it's easiest to sort of write about my own experiences. I'm very narcissistic!" she laughed. "I have a lot of important things to say and a lot of songs to write about it."
So is she very busy, Tracy asked?
"I'm really busy with my own brain," she laughed.
Which is why she still doesn't have time to write just any love song because someone needs it.
"I mean what I say. The songs that I write come from my heart."

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